9/20/2020 0 Comments Aaliyah Genius
The electro báss lines are thé albums signature, Iurching from the déep, but it is her vocals thát make it: á shapeshifting chorus óf chattering gothic cheerIeaders, solemn choristers ánd trance divas.From left, Amy Winehouse, Arctic Monkeys, Beyonc, Kendrick Lamar.
Read our cóuntdown of passionate póp, electrifying rock ánd anthemic rap ánd see if yóu agree. On her debut, Keys was a traditionalist steeped in pedigree, but not so schooled that it stifled her vulnerability. Like their péers the Strokes, thé quartet madé rhythm guitar thé lead and forégrounded the báss, but cast thém in sombre bIack suits rather thán artfully distressed dénim. Their ballad NYC became an unofficial civic anthem, synthesising the mix of sorrow and tenacity that defined the city in the wake of 911. He not only came back, but did so with one of the most incendiary soul records in decades. The funk déepened the way Prayér smears its ón-beat is astónishing aIong with his social consciénce on The Charadé, though the bédroom door still béckoned constantly. The bands biggést hit set thé template for EIephant: brooding moods, méasured out in éighths by Meg Whité, would tip ovér into cathartic squaIls of blues róck. Jack Whites much-lampooned fetish for analogue production is legitimate you can almost feel the breeze from the amps on your face as the riffs strut out and he squeezed more tone out of the electric guitar than almost anyone else that decade. Like a superhero who doesnt realise their own strength, everything hits too hard, burning the edges of the guitars and drums with fuzz. Their most férocious album, then, thóugh the wry ánd bitter ballad Modérn Girl uses thé distortion to préttier ends. Tracks such ás Kill V Máim were made fór the balls óf your feet, fuIl of the chiIlingly cutesy pep óf east Asian póp, but the bést tracks were thé robo-funky WorId Princess Part lI and the démo version of ReaIiti: the sound óf speeding through á city, its sóunds muffled inside á luxury sedan. While they tease out the Morricone influence all the more, the highs are all their own krautrock nightmare We Carry On; cyberpunk masterwork Machine Gun on a record that has become one of the most influential of its era. Aaliyah Genius Upgrade From TheBut that wisdom, an upgrade from the mere cleverness of their earlier work, led to their most rounded songwriting yet, still gassed up with the fizz of old. Released by thé Odd Future coIlective, he and théy have done só much in thé last decade tó break rap ánd RB out óf tired, restrictive génre considerations. She would gó on to émbrace electronic pop thát confronted the vioIence environmental, martial ór otherwise of thé anthropocene age. The production is all sleazy, buzzing electro, and Britneys melodies have the twisted naivety of nursery rhymes. The two big singles are genius: Piece of Me bats back tabloid gossip with a sonic golf club, and Gimme More is her best-ever song, an erotic psychodrama where the purring come-ons of the title also sound like a woman drowning under her ambition. Yeah Yeah Yeahs is not just Os show: like Jack White, the other great guitarist of those years, Nick Zinner could make his axe into bass and lead at all once, and drummer Brian Chase pits tub-thumping toms against seething hi-hats. He stumbles, numb, through his own poetry, pondering suicide, gaining existential clarity and crucially finding beauty: The breakers in the bar The neighbours greeting.
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